Friday, March 28, 2008

With Permission from Ernie Hebert...

I thought it a fitting end to this week to post a poem that has haunted me since the first time I read it. Ernest Hebert is not only one of my very favorite authors, but he is also a very nice man and gave me permission to post this poem here. You can read about the genesis of the poem here.


Hypothermia, a Poem


You started as a shape in the snow.
Not dead, but like
one pretending to be dead,
body temperature dangerously low,
mind in a torpor. I stripped you
to your underwear. I undressed, and crawled into
the sleeping bag with you,
and looked at the sky through hardwoods
bare of leaves.
I told you how nice it is when
the wind sends tremors through the tops
of the trees and underneath it's still.
I did not voice
my regret that the shape in the snow
was only you and not a new me.
Slowly, you began
to warm. I said, "Come to consciousness."
You whispered, "Are you my poem?"
I answered, "No, I am only a story."

Wednesday, March 26, 2008

From New Hampshire to Bread Loaf to Denver

Those of you who have been reading this blog for a while might recall that one of my very favorite authors is a New Hampshire native, named Ernest Hebert. He’s the author of The Dogs of March and eight more novels, all set in New Hampshire and about working class New Englanders. I love his work.

He teaches at Dartmouth and he’s got a web site that hasn’t been updated in a long time, but he's got a number of essays on it that bring me to tears. One of my favorites is a piece called, “How John Gardner Kicked My Ass and Saved My Soul”. I’d always remembered Mr. Hebert’s description of the Bread Loaf Writers’ Conference he attended over thirty years ago:

“The conference was held in a compound in the woods up slope from Middlebury College in Vermont. Medora and I didn't have much money, so to save on coin we didn't lodge at the conference center but in a tent in a nearby campground, primitive living for three weeks. I was in an agitated state of mind. I imagined myself a prisoner going up before a one-man parole board -- John Gardner.

I didn't like the scene at the conference center. It was too much like a summer camp for adults with tennis courts and cocktail hours and schedules and a hierarchy that consisted of published writers, darned-near published writers, wait persons; at the bottom were myself and the other wanna-be's who had paid money to get in. The weather was sunny, the people civil, the talk gossipy, full of good humor, subtle irony, even joy. I would have preferred dark skies, austere surroundings, and serious conversation.

I particularly hated seeing other conferees enjoying themselves. In particular, I hated Poet Mark Strand. He was six feet six, handsome, kind, warm; he played tennis in white shorts and beautiful women fawned over him. I would have hated him less if he'd been a mediocre writer, but his poems were beautiful and insightful.

The daily workshops, nightly readings and lectures put me on edge. I went out of my way not to listen. I was hanging around for one reason -- my impending conference with Gardner.

He was clearly the number one pooh-bah here, even bigger than Mark Strand.”

The name, Mark Strand stayed with me, but since I didn’t read or write poetry, I never bothered to find out who he was.

A couple of weeks ago I got my monthly newsletter from Lighthouse Writers Workshop and in May, there will be a Writer's Studio event with former US Poet Laureate and Pulitzer Prize-winner, Mark Strand. Aha. This was a message meant just for me. I did a search on Mark Strand to learn more about him and found this essay he wrote on the Poetry in the World. If anything appeals to me, it’s the idea of a “serious” poet with a sense of humor. In the essay, Strand recounts the difficulty of coming up with talk for a speaking engagement he’s been invited to.

“Days went by. I wrote nothing. I began to think that I should come up with yet another title, but I knew that I'd be giving in to a weakness I had for reduction, that were I to let myself go, I might end up with a title like "A Couple of Words in Space" or "A Syllable in the Woods." In other words, the less inclusive the title, the less I would feel obligated to say anything. But I also knew that without the obligation to speak, I might remain silent. A silent lecture! The ultimate reduction! But, alas, beyond my ability to perform. I decided to stick with ‘Poetry in the World’.”

The rest is here and is excellent.

From Hebert in New Hampshire to Bread Loaf with Gardner in Vermont to Strand in Denver – all things seem somehow connected.


Monday, March 24, 2008

The Perils of "Pantsing"

Eleven chapters and 28,520 words into my first draft of The Foundling Wheel I have to pause for a moment and share a secret with you.

Sssshhh. Don’t let anyone read over your shoulder.

Okay – are we alone? No, really?

I HAVE NO IDEA WHAT HAPPENS IN CHAPTER TWELVE!!!

I’m sorry, I’m sorry. I didn’t mean to yell. I’m taking deep breaths. Om. Seriously, it’s not like I had no idea what I was getting myself into. I had a premise and a fairly good idea of how to create what might be an interesting situation. Surely, there is an infinite number of possibilities for where I might transition from the past to the present. I’m just not sure what they are or which to choose.

I opened up a new file and I named it: Chapter Twelve. I typed 52 words and then I stopped.

Something tells me it’s time to step away from the story and find some time to take some long walks or paint a room or go outside and pull some weeds.

Muse, are you there? Muuuuuuuuuse? MUSE!

I know you would never find yourself in this situation. You either outline the whole story, or the story reveals itself bit by bit, getting better and better as you go along. I just know it.

But in case you’ve ever heard of anyone who’s gotten herself into a predicament like this, I’d love to hear how that poor lost soul found her way.

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Literary Quote

It is worth mentioning, for future reference, that the creative power which bubbles so pleasantly in beginning a new book quiets down after a time, and one goes on more steadily. Doubts creep in. Then one becomes resigned. Determination not to give in, and the sense of an impending shape keep one at it more than anything.


Virginia Woolf